Taiwan soldier_194yrbgmd88hyjpg

Dystopia in Pop Culture: Fiction or the Future?

The most frightening fictional dystopias are recognizable extensions of our current world. 

Dystopias have become a staple of popular entertainment, and despite predictions to the contrary, they show no sign of tapering off. Yet most of us have only the vaguest sense of what a dystopia is.

utopiadystopia

For starters, a dystopia is the opposite of a utopia. A utopia is a pretty old concept; Thomas More created the term in 1516 to describe a perfect society. “Dystopia” is a more recent term, dating to the 19th century: it comes from the Greek ”dys” meaning “bad” and “topia” meaning “place”. While a utopia is an ideal civilization, where everyone has their needs met, a dystopia is a society that is essentially harmful. The central arc of dystopic fiction almost always puts the hero in conflict with the government or the group of people in charge.

The most frightening fictional dystopias are recognizable extensions of our current world. These worlds answer “What If” questions about the future with the most pessimistic of responses.

What if the earth runs out of oil?

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What if we stop having as many children?

children of men_23d4d3f56586d6461ab70fdfe02912cd

What if the government used reality TV as a form of propoganda?

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What if there was no law and order?

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What if we lived in a military run state?

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Dystopian fiction imagines the worst-case scenarios for our future. However paranoid these imaginings may seem, they also expose important truths about our current reality.

future

The Theories Behind Time Travel

Great Scott! How many gigawatts does it take to write a story with time travel and parallel universes? It doesn’t take that much electricity, but it does take a lot of planning, researching and creativity.

H.G. Wells, Isaac Asminov, Ray Bradbury, Octavia Butler, Kurt Vonnegut — they’ve all written famous science fiction books that focus on time travel. Wells’ Time Machine dates back to 1895, before Albert Einstein’s theory of relativity and before the ideas behind black holes and wormholes existed.

Traveling in time to alter our destinies has been a pop culture fascination for a long time. Many superheroes have experienced time travel in different ways. Superman could go back in time by flying around the world quickly enough to reverse Earth’s rotation. Similarly, The Flash could travel fast enough to go back in time. Even the mutant, Wolverine, traveled back in time in X-Men: Days of Future Past to change the fate the world.

The plot lines involved in time travel and jumping through alternate realities are not easy to follow and are even more difficult to write. This lesson takes a look back in time at how some science-fiction stories have rules and a structure to the way time and alternate universes function within their fictional world and how you can create your own narrative structure to write your own tight story involving parallel universes and time travel.

Taiwan soldier_194yrbgmd88hyjpg

Dystopia in Pop Culture: Fiction or the Future?

The most frightening fictional dystopias are recognizable extensions of our current world. 

Dystopias have become a staple of popular entertainment, and despite predictions to the contrary, they show no sign of tapering off. Yet most of us have only the vaguest sense of what a dystopia is.

For starters, a dystopia is the opposite of a utopia. A utopia is a pretty old concept; Thomas More created the term in 1516 to describe a perfect society. “Dystopia” is a more recent term, dating to the 19th century: it comes from the Greek ”dys” meaning “bad” and “topia” meaning “place”. While a utopia is an ideal civilization, where everyone has their needs met, a dystopia is a society that is essentially harmful. The central arc of dystopic fiction almost always puts the hero in conflict with the government or the group of people in charge.

The most frightening fictional dystopias are recognizable extensions of our current world. These worlds answer “What If” questions about the future with the most pessimistic of responses.
What if the earth runs out of oil?

What if we stop having as many children?

What if the government used reality TV as a form of propoganda?

What if there was no law and order?

What if we lived in a military run state?

Dystopian fiction imagines the worst-case scenarios for our future. However paranoid these imaginings may seem, they also expose important truths about our current reality.

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Pride and Prejudice and Zombies: How to Write a Public Domain Mashup

 

Reviewers are surprised that Pride and Prejudice and Zombies follows the plot of Jane Austen’s original novel so closely, but they shouldn’t be. The book of Pride and Prejudice and Zombies is mostly made up of the original text. The author made a fortune by just adding a few paragraphs here and there to an existing book. This is the start of a new genre: classic book mashups.

Book remixes are possible because copyrights do not last forever. Copyrights are designed to increase the earnings of authors and their immediate descendents. Most expire between 50 and 90 years after the author’s death since it’s a little silly to think that Jane Austen’s great-great-great-great grandnephews deserve a cut of her book sales.

Once a copyright expires, the book enters public domain. Public domain works have no restrictions at all. They can be stolen, republished, edited, used in music, movies, or video game, or just zombified. The public domain includes millions of books ready to be butchered.

In this lesson, we’ll be doing the messing. Why stop with Pride and Prejudice and Zombies? How about a romantic comedy, Moby Dick in Manhattan? Or a sci-fi Romeo and Juliet? There are many possibilities, but executing them is harder than it appears.

Just like mixing music, mashing up classic literature takes some real thought. The newly edited portions need to match up to the original text, in grammar, cadence, word choice, and structure. In this lesson, we do a deep dive into how classic literature and modern genre fiction work, so that we can mix the two together flawlessly.

 

future

The Theories Behind Time Travel

Great Scott! How many gigawatts does it take to write a story with time travel and parallel universes? It doesn’t take that much electricity, but it does take a lot of planning, researching and creativity.

H.G. Wells, Isaac Asminov, Ray Bradbury, Octavia Butler, Kurt Vonnegut — they’ve all written famous science fiction books that focus on time travel. Wells’ Time Machine dates back to 1895, before Albert Einstein’s theory of relativity and before the ideas behind black holes and wormholes existed.

Traveling in time to alter our destinies has been a pop culture fascination for a long time. Many superheroes have experienced time travel in different ways. Superman could go back in time by flying around the world quickly enough to reverse Earth’s rotation. Similarly, The Flash could travel fast enough to go back in time. Even the mutant, Wolverine, traveled back in time in X-Men: Days of Future Past to change the fate the world.

The plot lines involved in time travel and jumping through alternate realities are not easy to follow and are even more difficult to write. This lesson takes a look back in time at how some science-fiction stories have rules and a structure to the way time and alternate universes function within their fictional world and how you can create your own narrative structure to write your own tight story involving parallel universes and time travel.

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FOX’s Empire is basically Shakespearean Hip-Hop Theatre

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Are Shakespeare’s plays universal?

In the poem “To the Memory of My Beloved the Author, Mr. William Shakespeare,” Ben Jonson wrote that Shakespeare was “not of an age but for all time!” His argument was that Shakespeare’s works were universal, and that any audience could relate to the themes within them. His theory is evidenced by the countless retellings and reinterpretations of the Bard’s plays. FOX’s hit Empire about a hip hop dynasty seems to agree with Jonson.

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The Bard’s Empire

In the pilot of Empire, one of Lucious Lyon’s sons, Jamal, says, “We King Lear now?” Lyon has announced that he has been diagnosed with ALS and will have to decide to which of his three sons he will leave control of his music business empire. Fans of Shakespeare may immediately think of Cordelia, Goneril, and Regan, but some of the fun of Empire is that the series offers many more parallels to Shakespeare’s plays than solely King Lear. Throughout the first season, we see connections to Macbeth and Lady Macbeth, Othello and Iago, and Romeo and Juliet, among others. Each episode, in fact, is named after a line from a Shakespearean play, which can prompt us into an even deeper investigation into parallels between the series and Elizabethan drama.

 

From the Stage to the Small Screen

One of the most interesting elements of Empire is the way the series maintains its own story while drawing on themes from Shakespeare. Shakespearean tragedies often begin in a state of disorder, either within the home, city, or kingdom. Over the course of the two hours of a play, the initial disorder is addressed, ultimately leading to a more orderly society. Things are not perfect, but the initial disorder is settled. Take Romeo and Juliet, for example. At the start of the play, we learn that the Prince is infuriated with the civic quarrels between the Montagues and Capulets. By the end of the play, everything is not resolved: two young lovers have died, along with many others. As a result, however, the Montagues and Capulets decide to put aside their hatred for one another, thus creating more order in Verona. Is it perfect? No. But, through the conflicts in the play, the initial conflict is resolved. At this point, the audience applauds and leaves the theater. What’s interesting about Empire is that the series can expand on this disorder-order model. Since the series airs weekly, and is much longer than two hours, there is more time to develop several themes and conflicts, and to create new ones. Just when the initial disorder is resolved, another conflict incites more disorder. In this way, the show can continue to draw on universal themes that make Shakespeare’s plays so beloved.

Taiwan soldier_194yrbgmd88hyjpg

Dystopia in Pop Culture: Fiction or the Future?

The most frightening fictional dystopias are recognizable extensions of our current world. 

Dystopias have become a staple of popular entertainment, and despite predictions to the contrary, they show no sign of tapering off. Yet most of us have only the vaguest sense of what a dystopia is.

For starters, a dystopia is the opposite of a utopia. A utopia is a pretty old concept; Thomas More created the term in 1516 to describe a perfect society. “Dystopia” is a more recent term, dating to the 19th century: it comes from the Greek ”dys” meaning “bad” and “topia” meaning “place”. While a utopia is an ideal civilization, where everyone has their needs met, a dystopia is a society that is essentially harmful. The central arc of dystopic fiction almost always puts the hero in conflict with the government or the group of people in charge.

The most frightening fictional dystopias are recognizable extensions of our current world. These worlds answer “What If” questions about the future with the most pessimistic of responses.
What if the earth runs out of oil?

What if we stop having as many children?

What if the government used reality TV as a form of propoganda?

What if there was no law and order?

What if we lived in a military run state?

Dystopian fiction imagines the worst-case scenarios for our future. However paranoid these imaginings may seem, they also expose important truths about our current reality.

Taiwan soldier_194yrbgmd88hyjpg

Dystopia in Pop Culture: Fiction or the Future?

The most frightening fictional dystopias are recognizable extensions of our current world. 

Dystopias have become a staple of popular entertainment, and despite predictions to the contrary, they show no sign of tapering off. Yet most of us have only the vaguest sense of what a dystopia is.

For starters, a dystopia is the opposite of a utopia. A utopia is a pretty old concept; Thomas More created the term in 1516 to describe a perfect society. “Dystopia” is a more recent term, dating to the 19th century: it comes from the Greek ”dys” meaning “bad” and “topia” meaning “place”. While a utopia is an ideal civilization, where everyone has their needs met, a dystopia is a society that is essentially harmful. The central arc of dystopic fiction almost always puts the hero in conflict with the government or the group of people in charge.

The most frightening fictional dystopias are recognizable extensions of our current world. These worlds answer “What If” questions about the future with the most pessimistic of responses.
What if the earth runs out of oil?

What if we stop having as many children?

What if the government used reality TV as a form of propoganda?

What if there was no law and order?

What if we lived in a military run state?

Dystopian fiction imagines the worst-case scenarios for our future. However paranoid these imaginings may seem, they also expose important truths about our current reality.

Taiwan soldier_194yrbgmd88hyjpg

Dystopia in Pop Culture: Fiction or the Future?

The most frightening fictional dystopias are recognizable extensions of our current world. 

Dystopias have become a staple of popular entertainment, and despite predictions to the contrary, they show no sign of tapering off. Yet most of us have only the vaguest sense of what a dystopia is.

For starters, a dystopia is the opposite of a utopia. A utopia is a pretty old concept; Thomas More created the term in 1516 to describe a perfect society. “Dystopia” is a more recent term, dating to the 19th century: it comes from the Greek ”dys” meaning “bad” and “topia” meaning “place”. While a utopia is an ideal civilization, where everyone has their needs met, a dystopia is a society that is essentially harmful. The central arc of dystopic fiction almost always puts the hero in conflict with the government or the group of people in charge.

The most frightening fictional dystopias are recognizable extensions of our current world. These worlds answer “What If” questions about the future with the most pessimistic of responses.
What if the earth runs out of oil?

What if we stop having as many children?

What if the government used reality TV as a form of propoganda?

What if there was no law and order?

What if we lived in a military run state?

Dystopian fiction imagines the worst-case scenarios for our future. However paranoid these imaginings may seem, they also expose important truths about our current reality.

Taiwan soldier_194yrbgmd88hyjpg

Dystopia in Pop Culture: Fiction or the Future?

The most frightening fictional dystopias are recognizable extensions of our current world. 

Dystopias have become a staple of popular entertainment, and despite predictions to the contrary, they show no sign of tapering off. Yet most of us have only the vaguest sense of what a dystopia is.

For starters, a dystopia is the opposite of a utopia. A utopia is a pretty old concept; Thomas More created the term in 1516 to describe a perfect society. “Dystopia” is a more recent term, dating to the 19th century: it comes from the Greek ”dys” meaning “bad” and “topia” meaning “place”. While a utopia is an ideal civilization, where everyone has their needs met, a dystopia is a society that is essentially harmful. The central arc of dystopic fiction almost always puts the hero in conflict with the government or the group of people in charge.

The most frightening fictional dystopias are recognizable extensions of our current world. These worlds answer “What If” questions about the future with the most pessimistic of responses.
What if the earth runs out of oil?

What if we stop having as many children?

What if the government used reality TV as a form of propoganda?

What if there was no law and order?

What if we lived in a military run state?

Dystopian fiction imagines the worst-case scenarios for our future. However paranoid these imaginings may seem, they also expose important truths about our current reality.