civil war mcu thumbnail

Marvel Civil War: Whose Side Are You On?

 

civil-war-promo-art-600x321

Captain America 3: Civil War was just released. Since Avengers: Age of Ultron, the Marvel Cinematic Universe (MCU) has carefully started to shift the story towards one of the greatest conflicts in comic book history, Marvel’s Civil War. In a sure sign that comics were getting awesome again, Marvel built in a story arc where the Avengers fought each other. This has happened before in comics, usually because one superhero gets mind-controlled by a villain. In the Marvel Civil War, though, the Avengers were instead fighting because they had different interpretations of rights. Both sides’ views were supportable by some interpretations of the Constitution. But would either have stood up in court? If the Avengers had taken their differences to court, instead of to the streets, which way would it have gone?

Which side are you on? Try the quiz below to find out!

The Plot of the War The Marvel Civil War was told in seven comics, released from 2006-2007. It takes place after most mutants have been killed, or have fled in secret to Xavier’s school. Having dealt with mutants, the United States government turned their attention to superheroes. The government wasn’t a big fan of superpowers. Untrained superheroes kept stepping up to villains in crowded areas, getting themselves and others killed. In one case, a couple of new superheroes tried to fight Nitro in a mall, leading to the deaths of over 600 people. In addition, superheroes, especially the Avengers, were also interfering in politics. Nick Fury was fired because he led a coup against one of the United States’ allies (in fairness, that ally was an evil cyborg). Finally, the government decided to act. Congress passed the Superhero Registration Act, forcing all superheroes to take off the masks, register their abilities, and work for federal law enforcement. They hired Tony Stark (Iron Man) to help enforce  the law. Captain America violently resisted. Both sides escalated in force.


 

The Arguments

The pro-registration arguments, supported by Tony Stark and Mr. Fantastic, include:

  • Superheroes cannot veto a Congressional decision
  • Regulation of use of powers will be required by law
  • The government may restrict the rights of some to protect the rights of many

The anti-registration arguments, supported by Captain America, include:

  • Privacy protects superheroes and superheroes have a right to it
  • The majority should not legislate against minority rights
  • The government should not restrict rights in the present because of possible events in the future.

Do either of these arguments carry legal weight? This lesson below explores the legal precedents at play.

future

The Theories Behind Time Travel

Great Scott! How many gigawatts does it take to write a story with time travel and parallel universes? It doesn’t take that much electricity, but it does take a lot of planning, researching and creativity.

H.G. Wells, Isaac Asminov, Ray Bradbury, Octavia Butler, Kurt Vonnegut — they’ve all written famous science fiction books that focus on time travel. Wells’ Time Machine dates back to 1895, before Albert Einstein’s theory of relativity and before the ideas behind black holes and wormholes existed.

Traveling in time to alter our destinies has been a pop culture fascination for a long time. Many superheroes have experienced time travel in different ways. Superman could go back in time by flying around the world quickly enough to reverse Earth’s rotation. Similarly, The Flash could travel fast enough to go back in time. Even the mutant, Wolverine, traveled back in time in X-Men: Days of Future Past to change the fate the world.

The plot lines involved in time travel and jumping through alternate realities are not easy to follow and are even more difficult to write. This lesson takes a look back in time at how some science-fiction stories have rules and a structure to the way time and alternate universes function within their fictional world and how you can create your own narrative structure to write your own tight story involving parallel universes and time travel.

daredevil

The Science of Daredevil: 5 Scientific Explanations for Daredevil’s Abilities

 

daredevil-netflix-series-previews

While he can no longer see, the radioactive exposure heightens his remaining senses beyond normal human ability and gives him a type of radar or sonar which acts as his vision. There is another theory that the toxic waste didn’t enhance his senses at all, and his abilities are just a natural response to the loss of one of his 5 key senses.  

 

 

The Man Without Fear:

daredevil

Daredevil is a comic book superhero created by Stan Lee and Bill Everett for Marvel comics.  He first appeared in 1964.  Living in the Hell’s Kitchen neighborhood of New York City, Matt Murdock is blinded by a radioactive substance that falls from an oncoming vehicle. While he can no longer see, the radioactive exposure heightens his remaining senses beyond normal human ability and gives him a type of radar or sonar which acts as his vision. There is another theory that the toxic waste didn’t enhance his senses at all, and his abilities are just a natural response to the loss of one of his 5 key senses.  He fights crime in the streets, seemingly fearless in the face of his visual limits. He’s a master martial artist, trained from his youth, and is a genius lawyer to boot. Here are 5 very real scientific explanations for Daredevil’s not so super-human powers.

 

1. Blindness Hacks your Visual Cortex:

Daredevil’s powers and abilities include a radar sense, similar to echolocation and sonar, and sensitive touch, hearing, and balance. You are born with a Visual Cortex – the part of your brain that processes all of the visual information you take in.  If you are born blind, or become blind, your brain’s visual cortex will actually rewire itself to make use of the visual processing center in different ways – otherwise known as cross-modal neuroplasticity.  This means that the brain uses the other senses more efficiently, increasing their performance. This rewiring can also lead to acquiring synesthesia – where input from one sense triggers another sense automatically – like hearing a color, or tasting a sound.

 

2. Radar Sense:  

Daredevil’s “radar” has been very inconsistent over the years within the comic, with many different renditions and qualities being noted. Sometimes he sees extreme details and other times he sees basic outlines and shapes. Sometimes its linked to his sense of hearing like a form of echolocation.  In Daredevil #167 it is described like that of a bat.  It says “he emits probing, high frequency waves.” Waves which break against any solid object and breaking send back signals only audible to Daredevil.  From these signals, his brain forms silhouette images of everything around him.  In this manner he “sees” in every direction.

 

3. Human Echolocation is Real:

echolocation-in-action

Human echolocation has been known and formally studied since at least the 1950s.  It is the ability of humans to detect objects in their environment by sensing echoes from those objects. By actively creating sounds – for example, by tapping their canes, lightly stomping their foot, snapping their fingers, or making clicking noises with their mouths – people trained to orient by echolocation can interpret the sound waves reflected by nearby objects, accurately identifying their location and size. This ability is used by some blind people for acoustic wayfinding, or navigating within their environment using auditory rather than visual cues. It is similar in principle to active sonar and to animal echolocation, which is employed by bats, dolphins and toothed whales to find prey.

 

4. Our Perception of Reality:

cross-modal-plasticity

We might assume how we perceive the world through our eyes and ears and other senses is the only objective reality, but that’s not really true.  Your senses actually limit your perception of reality.  Our eyes can detect only a tiny sliver of the electromagnetic spectrum.  Our ears have a very finite set of frequencies it can pick up, and our sense of smell is extremely limited compared to other animals, like dogs, for example.  So perhaps by removing one sense, the other senses get center stage in our brains, enabling them to acquire more input, and ultimately sense reality differently than others.

5. Realities of Radioactive Substances:

Screen Shot 2015-05-06 at 12.12.04 AM

 

Screen Shot 2015-05-06 at 12.11.24 AM

Matt Murdock lost his vision because of an accident involving a radioactive substance.  A radioactive substance is unstable and produces dangerous kinds of radiation. It is unstable because the strong nuclear force that holds the nucleus of the atom together is not balanced with the electric force that wants to push it apart.  Radioactive substances actual effect on humans are much more dire than that proposed in the Marvel Universe.  The degree of damage to the human body depends on the amount of radiation absorbed by the body, the type of radiation, the route of exposure and the length of time a person is exposed.  Exposure to very large doses of radiation may cause death within a few days or months. Exposure to lower doses of radiation may lead to an increased risk of cancer, cataracts or decreased fertility.  Regardless of the effects of radiation and the magical effects of radioactive substances in fictional stories, the brain is a master at adapting to sensory changes.  Being blind doesn’t mean you are truly unable to “see” your surroundings.

future

The Theories Behind Time Travel

Great Scott! How many gigawatts does it take to write a story with time travel and parallel universes? It doesn’t take that much electricity, but it does take a lot of planning, researching and creativity.

H.G. Wells, Isaac Asminov, Ray Bradbury, Octavia Butler, Kurt Vonnegut — they’ve all written famous science fiction books that focus on time travel. Wells’ Time Machine dates back to 1895, before Albert Einstein’s theory of relativity and before the ideas behind black holes and wormholes existed.

Traveling in time to alter our destinies has been a pop culture fascination for a long time. Many superheroes have experienced time travel in different ways. Superman could go back in time by flying around the world quickly enough to reverse Earth’s rotation. Similarly, The Flash could travel fast enough to go back in time. Even the mutant, Wolverine, traveled back in time in X-Men: Days of Future Past to change the fate the world.

The plot lines involved in time travel and jumping through alternate realities are not easy to follow and are even more difficult to write. This lesson takes a look back in time at how some science-fiction stories have rules and a structure to the way time and alternate universes function within their fictional world and how you can create your own narrative structure to write your own tight story involving parallel universes and time travel.

daredevil

The Science of Daredevil: 5 Scientific Explanations for Daredevil’s Abilities

While he can no longer see, the radioactive exposure heightens his remaining senses beyond normal human ability and gives him a type of radar or sonar which acts as his vision. There is another theory that the toxic waste didn’t enhance his senses at all, and his abilities are just a natural response to the loss of one of his 5 key senses.  

The Man Without Fear:

Daredevil is a comic book superhero created by Stan Lee and Bill Everett for Marvel comics.  He first appeared in 1964.  Living in the Hell’s Kitchen neighborhood of New York City, Matt Murdock is blinded by a radioactive substance that falls from an oncoming vehicle. While he can no longer see, the radioactive exposure heightens his remaining senses beyond normal human ability and gives him a type of radar or sonar which acts as his vision. There is another theory that the toxic waste didn’t enhance his senses at all, and his abilities are just a natural response to the loss of one of his 5 key senses.  He fights crime in the streets, seemingly fearless in the face of his visual limits. He’s a master martial artist, trained from his youth, and is a genius lawyer to boot. Here are 5 very real scientific explanations for Daredevil’s not so super-human powers.

1. Blindness Hacks your Visual Cortex:

Daredevil’s powers and abilities include a radar sense, similar to echolocation and sonar, and sensitive touch, hearing, and balance. You are born with a Visual Cortex – the part of your brain that processes all of the visual information you take in.  If you are born blind, or become blind, your brain’s visual cortex will actually rewire itself to make use of the visual processing center in different ways – otherwise known as cross-modal neuroplasticity.  This means that the brain uses the other senses more efficiently, increasing their performance. This rewiring can also lead to acquiring synesthesia – where input from one sense triggers another sense automatically – like hearing a color, or tasting a sound.

2. Radar Sense:  

Daredevil’s “radar” has been very inconsistent over the years within the comic, with many different renditions and qualities being noted. Sometimes he sees extreme details and other times he sees basic outlines and shapes. Sometimes its linked to his sense of hearing like a form of echolocation.  In Daredevil #167 it is described like that of a bat.  It says “he emits probing, high frequency waves.” Waves which break against any solid object and breaking send back signals only audible to Daredevil.  From these signals, his brain forms silhouette images of everything around him.  In this manner he “sees” in every direction.

3. Human Echolocation is Real:

Human echolocation has been known and formally studied since at least the 1950s.  It is the ability of humans to detect objects in their environment by sensing echoes from those objects. By actively creating sounds – for example, by tapping their canes, lightly stomping their foot, snapping their fingers, or making clicking noises with their mouths – people trained to orient by echolocation can interpret the sound waves reflected by nearby objects, accurately identifying their location and size. This ability is used by some blind people for acoustic wayfinding, or navigating within their environment using auditory rather than visual cues. It is similar in principle to active sonar and to animal echolocation, which is employed by bats, dolphins and toothed whales to find prey.

4. Our Perception of Reality:

We might assume how we perceive the world through our eyes and ears and other senses is the only objective reality, but that’s not really true.  Your senses actually limit your perception of reality.  Our eyes can detect only a tiny sliver of the electromagnetic spectrum.  Our ears have a very finite set of frequencies it can pick up, and our sense of smell is extremely limited compared to other animals, like dogs, for example.  So perhaps by removing one sense, the other senses get center stage in our brains, enabling them to acquire more input, and ultimately sense reality differently than others.

5. Realities of Radioactive Substances:

Matt Murdock lost his vision because of an accident involving a radioactive substance.  A radioactive substance is unstable and produces dangerous kinds of radiation. It is unstable because the strong nuclear force that holds the nucleus of the atom together is not balanced with the electric force that wants to push it apart.  Radioactive substances actual effect on humans are much more dire than that proposed in the Marvel Universe.  The degree of damage to the human body depends on the amount of radiation absorbed by the body, the type of radiation, the route of exposure and the length of time a person is exposed.  Exposure to very large doses of radiation may cause death within a few days or months. Exposure to lower doses of radiation may lead to an increased risk of cancer, cataracts or decreased fertility.  Regardless of the effects of radiation and the magical effects of radioactive substances in fictional stories, the brain is a master at adapting to sensory changes.  Being blind doesn’t mean you are truly unable to “see” your surroundings.

future

The Theories Behind Time Travel

Great Scott! How many gigawatts does it take to write a story with time travel and parallel universes? It doesn’t take that much electricity, but it does take a lot of planning, researching and creativity.

H.G. Wells, Isaac Asminov, Ray Bradbury, Octavia Butler, Kurt Vonnegut — they’ve all written famous science fiction books that focus on time travel. Wells’ Time Machine dates back to 1895, before Albert Einstein’s theory of relativity and before the ideas behind black holes and wormholes existed.

Traveling in time to alter our destinies has been a pop culture fascination for a long time. Many superheroes have experienced time travel in different ways. Superman could go back in time by flying around the world quickly enough to reverse Earth’s rotation. Similarly, The Flash could travel fast enough to go back in time. Even the mutant, Wolverine, traveled back in time in X-Men: Days of Future Past to change the fate the world.

The plot lines involved in time travel and jumping through alternate realities are not easy to follow and are even more difficult to write. This lesson takes a look back in time at how some science-fiction stories have rules and a structure to the way time and alternate universes function within their fictional world and how you can create your own narrative structure to write your own tight story involving parallel universes and time travel.

daredevil

The Science of Daredevil: 5 Scientific Explanations for Daredevil’s Abilities

While he can no longer see, the radioactive exposure heightens his remaining senses beyond normal human ability and gives him a type of radar or sonar which acts as his vision. There is another theory that the toxic waste didn’t enhance his senses at all, and his abilities are just a natural response to the loss of one of his 5 key senses.  

The Man Without Fear:

Daredevil is a comic book superhero created by Stan Lee and Bill Everett for Marvel comics.  He first appeared in 1964.  Living in the Hell’s Kitchen neighborhood of New York City, Matt Murdock is blinded by a radioactive substance that falls from an oncoming vehicle. While he can no longer see, the radioactive exposure heightens his remaining senses beyond normal human ability and gives him a type of radar or sonar which acts as his vision. There is another theory that the toxic waste didn’t enhance his senses at all, and his abilities are just a natural response to the loss of one of his 5 key senses.  He fights crime in the streets, seemingly fearless in the face of his visual limits. He’s a master martial artist, trained from his youth, and is a genius lawyer to boot. Here are 5 very real scientific explanations for Daredevil’s not so super-human powers.

1. Blindness Hacks your Visual Cortex:

Daredevil’s powers and abilities include a radar sense, similar to echolocation and sonar, and sensitive touch, hearing, and balance. You are born with a Visual Cortex – the part of your brain that processes all of the visual information you take in.  If you are born blind, or become blind, your brain’s visual cortex will actually rewire itself to make use of the visual processing center in different ways – otherwise known as cross-modal neuroplasticity.  This means that the brain uses the other senses more efficiently, increasing their performance. This rewiring can also lead to acquiring synesthesia – where input from one sense triggers another sense automatically – like hearing a color, or tasting a sound.

2. Radar Sense:  

Daredevil’s “radar” has been very inconsistent over the years within the comic, with many different renditions and qualities being noted. Sometimes he sees extreme details and other times he sees basic outlines and shapes. Sometimes its linked to his sense of hearing like a form of echolocation.  In Daredevil #167 it is described like that of a bat.  It says “he emits probing, high frequency waves.” Waves which break against any solid object and breaking send back signals only audible to Daredevil.  From these signals, his brain forms silhouette images of everything around him.  In this manner he “sees” in every direction.

3. Human Echolocation is Real:

Human echolocation has been known and formally studied since at least the 1950s.  It is the ability of humans to detect objects in their environment by sensing echoes from those objects. By actively creating sounds – for example, by tapping their canes, lightly stomping their foot, snapping their fingers, or making clicking noises with their mouths – people trained to orient by echolocation can interpret the sound waves reflected by nearby objects, accurately identifying their location and size. This ability is used by some blind people for acoustic wayfinding, or navigating within their environment using auditory rather than visual cues. It is similar in principle to active sonar and to animal echolocation, which is employed by bats, dolphins and toothed whales to find prey.

4. Our Perception of Reality:

We might assume how we perceive the world through our eyes and ears and other senses is the only objective reality, but that’s not really true.  Your senses actually limit your perception of reality.  Our eyes can detect only a tiny sliver of the electromagnetic spectrum.  Our ears have a very finite set of frequencies it can pick up, and our sense of smell is extremely limited compared to other animals, like dogs, for example.  So perhaps by removing one sense, the other senses get center stage in our brains, enabling them to acquire more input, and ultimately sense reality differently than others.

5. Realities of Radioactive Substances:

Matt Murdock lost his vision because of an accident involving a radioactive substance.  A radioactive substance is unstable and produces dangerous kinds of radiation. It is unstable because the strong nuclear force that holds the nucleus of the atom together is not balanced with the electric force that wants to push it apart.  Radioactive substances actual effect on humans are much more dire than that proposed in the Marvel Universe.  The degree of damage to the human body depends on the amount of radiation absorbed by the body, the type of radiation, the route of exposure and the length of time a person is exposed.  Exposure to very large doses of radiation may cause death within a few days or months. Exposure to lower doses of radiation may lead to an increased risk of cancer, cataracts or decreased fertility.  Regardless of the effects of radiation and the magical effects of radioactive substances in fictional stories, the brain is a master at adapting to sensory changes.  Being blind doesn’t mean you are truly unable to “see” your surroundings.

future

The Theories Behind Time Travel

Great Scott! How many gigawatts does it take to write a story with time travel and parallel universes? It doesn’t take that much electricity, but it does take a lot of planning, researching and creativity.

H.G. Wells, Isaac Asminov, Ray Bradbury, Octavia Butler, Kurt Vonnegut — they’ve all written famous science fiction books that focus on time travel. Wells’ Time Machine dates back to 1895, before Albert Einstein’s theory of relativity and before the ideas behind black holes and wormholes existed.

Traveling in time to alter our destinies has been a pop culture fascination for a long time. Many superheroes have experienced time travel in different ways. Superman could go back in time by flying around the world quickly enough to reverse Earth’s rotation. Similarly, The Flash could travel fast enough to go back in time. Even the mutant, Wolverine, traveled back in time in X-Men: Days of Future Past to change the fate the world.

The plot lines involved in time travel and jumping through alternate realities are not easy to follow and are even more difficult to write. This lesson takes a look back in time at how some science-fiction stories have rules and a structure to the way time and alternate universes function within their fictional world and how you can create your own narrative structure to write your own tight story involving parallel universes and time travel.

civil war mcu thumbnail

Marvel Civil War: Whose Side Are You On?

The first promo art of Captain America 3: Civil War was just released. With the latest chapter Avengers: Age of Ultron upon us, the Marvel Cinematic Universe (MCU) will carefully start to shift the story towards one of the greatest conflicts in comic book history, Marvel’s Civil War. In a sure sign that comics were getting awesome again, Marvel built in a story arc where the Avengers fought each other. This has happened before in comics, usually because one superhero gets mind-controlled by a villain. In the Marvel Civil War, though, the Avengers were instead fighting because they had different interpretations of rights. Both sides’ views were supportable by some interpretations of the Constitution. But would either have stood up in court? If the Avengers had taken their differences to court, instead of to the streets, which way would it have gone?

Which side are you on? Try the quiz below to find out!

The Plot of the War The Marvel Civil War was told in seven comics, released from 2006-2007. It takes place after most mutants have been killed, or have fled in secret to Xavier’s school. Having dealt with mutants, the United States government turned their attention to superheroes. The government wasn’t a big fan of superpowers. Untrained superheroes kept stepping up to villains in crowded areas, getting themselves and others killed. In one case, a couple of new superheroes tried to fight Nitro in a mall, leading to the deaths of over 600 people. In addition, superheroes, especially the Avengers, were also interfering in politics. Nick Fury was fired because he led a coup against one of the United States’ allies (in fairness, that ally was an evil cyborg). Finally, the government decided to act. Congress passed the Superhero Registration Act, forcing all superheroes to take off the masks, register their abilities, and work for federal law enforcement. They hired Tony Stark (Iron Man) to help enforce  the law. Captain America violently resisted. Both sides escalated in force.

The Arguments
The pro-registration arguments, supported by Tony Stark and Mr. Fantastic, include:

Superheroes cannot veto a Congressional decision
Regulation of use of powers will be required by law
The government may restrict the rights of some to protect the rights of many

The anti-registration arguments, supported by Captain America, include:

Privacy protects superheroes and superheroes have a right to it
The majority should not legislate against minority rights
The government should not restrict rights in the present because of possible events in the future.

Do either of these arguments carry legal weight? This lesson below explores the legal precedents at play.

future

The Theories Behind Time Travel

Great Scott! How many gigawatts does it take to write a story with time travel and parallel universes? It doesn’t take that much electricity, but it does take a lot of planning, researching and creativity.

H.G. Wells, Isaac Asminov, Ray Bradbury, Octavia Butler, Kurt Vonnegut — they’ve all written famous science fiction books that focus on time travel. Wells’ Time Machine dates back to 1895, before Albert Einstein’s theory of relativity and before the ideas behind black holes and wormholes existed.

Traveling in time to alter our destinies has been a pop culture fascination for a long time. Many superheroes have experienced time travel in different ways. Superman could go back in time by flying around the world quickly enough to reverse Earth’s rotation. Similarly, The Flash could travel fast enough to go back in time. Even the mutant, Wolverine, traveled back in time in X-Men: Days of Future Past to change the fate the world.

The plot lines involved in time travel and jumping through alternate realities are not easy to follow and are even more difficult to write. This lesson takes a look back in time at how some science-fiction stories have rules and a structure to the way time and alternate universes function within their fictional world and how you can create your own narrative structure to write your own tight story involving parallel universes and time travel.